Show A against sense

The musical universe, warm and disorganized, refers to the installation of a market in a public square in North Africa.

While the bodies of the very different performers perform in a vertical, controlled gesture, the fall arrives and carries the assembly in a movement of euphoria. In the manner of children who spin until drunkenness, I take the performers in search of vertigo, to the edge of the fall. The bodies abandon themselves in turn, like a happy contamination; the dance is embodied, to become feverish, and reveals beings carried by the desire to communicate with the invisible. As if we always needed to find primary instincts, impulses, while this world distances us from ourselves.